A good and compelling question, I trust you'll agree, and one that Djangolina asked me the other day.
In an attempt to fill this void, I composed for her the following lyric, to be sing to the tune (if that's the word I'm looking for) of Miss Dynamite's eponymous theme-song:
When you're digging through the strata underneath your house
And you come across a fossil like a three-part woodlouse
Don't think it's a dead-end with no eyesight -
It had eyes made from rods of calcite
It's Miss Trilobite-ee-ee
She's found in rocks paleozoic - what a stoic!
It's Miss Trilobite-ee-ee
Don't ever think that she's demented - she's just segmented
When you're strolling along on a Dorset beach
And you're looking for a fossil that's within your reach
Just look around your feet, and there without fail
You'll see a fossil that looks somewhat like a snail
It's Miss Ammonite-ee-ee
She's found throughout the rocks Jurassic - zone-fossil classic
Miss Ammonite-ee-ee
A kind of Nautilus that's early - her shelll is curly
If you're digging through chalk you may just see the glint
Of a finger-shaped fossil like a lipstick made of flint
You may throw it aside, but just think what you did -
You've thrown out the arse of a squid
It's Miss Belemnite-ee-ee
She's found throughout the rocks cretaceous - she's silicaceous
It's Miss Belemnite-ee-ee
It's just her tail that turns quite stony - she wasn't bony.
[Pause]
Djangolina: OK Daddy, now I understand.
Me (proudly): About zone fossils?
Djangolina: No, about why nobody writes songs about them. That was rubbish.
Tuesday, 10 March 2009
"Daddy - why are there no pop songs about fossils?"
Sunday, 8 March 2009
Colonel of the month - March
Turning from the upright, Boy's-Own-Paper derring-do of the Campbells and Hayes-Newingtons for a while, we take time to explore the dark side of the colonial colonel this month, through the personage of the thrilling yet disturbing Richard Meinertzhagen.
I first encountered Meinertzhagen in an entertaining passage in Bill Bryson's excellent book 'A Short History of Nearly Everything', detailing the consternation at the Natural History Museum when they opened the crates of bird specimens left to them by Meinertzhagen and discovered the museum's own labels on most of the contents. This, Bryson notes "explained his habit of wearing a large overcoat even in warm weather".
I have also come across quotes from him in various accounts of the campaign in East Africa in WWI, throughout which he appears to have sat on a deckchair behind the lines smoking a pipe and criticising his superiors - a dream job for most of us, I suspect.
There is an outstanding Wikipedia biography, from which the following quotes come:
Note the equating of the beating to death of unarmed POWs with "an unscrupulous jest".
That has to be the most magnificently colonelesque inquest verdict ever...
I first encountered Meinertzhagen in an entertaining passage in Bill Bryson's excellent book 'A Short History of Nearly Everything', detailing the consternation at the Natural History Museum when they opened the crates of bird specimens left to them by Meinertzhagen and discovered the museum's own labels on most of the contents. This, Bryson notes "explained his habit of wearing a large overcoat even in warm weather".
I have also come across quotes from him in various accounts of the campaign in East Africa in WWI, throughout which he appears to have sat on a deckchair behind the lines smoking a pipe and criticising his superiors - a dream job for most of us, I suspect.
There is an outstanding Wikipedia biography, from which the following quotes come:
Colonel Richard Henry Meinertzhagen CBE DSO (March 3, 1878 - June 17, 1967) was a British soldier, intelligence officer, ornithologist and expert on bird lice. He was influential in life and had a legendary reputation for his exploits around the world. Studies on his work on birds and historic notes after his death however raised serious questions on his integrity and have made him a controversial character.
In East Africa in 1905, he crushed a major revolt by killing the Orkoiyot (spiritual leader) who led it. He collected some of the tribal artefacts after this revolt. Some of these artefacts, including a walking stick and baton belonging to the Nandi tribal leader Koitalel arap Samoei, were returned to Kenya in 2006.
His unpublished diaries hint at a successful rescue attempt of one of the Russian Grand Duchesses, possibly Tatiana
Tom Segev considers that Meinertzhagen was "at once a great antisemite and a great Zionist". He justifies this analysis by this excerpt from Meinertzhagen's Middle East Diary : "I am imbued with antisemitic feelings. It was indeed an accursed day that allowed Jews and not Christians to introduce to the world the principles of Zionism and that allowed Jewish brains and Jewish money to carry them out, almost unhelped by Christians save a handful of enthusiasts in England".
He was a prolific diarist and published four books based on his diaries, which make fascinating and often insightful reading. However, his Middle East Diary (1959) contains dozens of entries that are probably fictional, including those on T. E. Lawrence and on Hitler. Meinertzhagen's claimed to have mocked Hitler by giving a Heil Meinertzhagen salute in response to those given by the men around Hitler. He also claimed to have carried a loaded gun in his coat pocket at a meeting with Hitler and von Ribbentrop in July 1939 and was "seriously troubled" about not shooting when he had the chance, adding "If this war breaks out, as I feel sure it will, then I shall feel very much to blame for not killing these two." Lockman in his book shows that Meinertzhagen later falsified his entries on T. E. Lawrence. The original diaries kept in the Rhodes House Library contain differences in the paper used for certain entries as well as in the typewriter ribbon used, and there are oddities in the page numbering.
"Meinertzhagen knew no half measures. He was logical, an idealist of the deepest, and so possessed by his convictions that he was willing to harness evil to the chariot of good. He was a strategist, a geographer, and a silent laughing masterful man; who took as blithe a pleasure in deceiving his enemy (or his friend) by some unscrupulous jest, as in spattering the brains of a cornered mob of Germans one by one with his African knob-kerri. His instincts were abetted by an immensely powerful body and a savage brain..."
– T. E. Lawrence, Seven Pillars of Wisdom, 1926
Note the equating of the beating to death of unarmed POWs with "an unscrupulous jest".
While in India he killed one of his personal assistants in a fit of rage and had the local police officer cover it up as a death due to plague...
Gavin Maxwell wrote about how his parents would scare him and other children to behave themselves when Meinertzhagen visited with "...remember...he has killed people with his bare hands..."
Meinertzhagen's second wife, the ornithologist Anne Constance Jackson, died in 1928 at age 40 in a remote Scottish village in an incident that was ruled a shooting accident. The official finding was that she accidentally shot herself in the head with a revolver during target practice alone with Richard.
That has to be the most magnificently colonelesque inquest verdict ever...
Labels:
colonels,
liars,
Meinertzhagen,
murderers,
thieves
Tuesday, 3 March 2009
One song in the style of another - 5
It's so obvious when you think about it - Messiaen's magnificent Turangalila symphony played Hank Marvin-style on an electric guitar with a tremolo arm.
Embedding is unfortunately disabled on these videos, you'll have to follow the links. Sorry...
Embedding is unfortunately disabled on these videos, you'll have to follow the links. Sorry...
Tuesday, 24 February 2009
The Romance of the Stage
In a response to Mrs Pouncer's moving musings on stage curtains and ancestors, I commented that my own parents' relationship had blossomed when my father lit my mother in sundry productions; and Mrs P asked me to expand on the tale.
Bear in mind that I have the fragmentary evidence of my parents and my grandmother for this version, since for obvious reasons I wasn't there other than as a twinkle in someone's eye.
My parents had known each other in some degree at their mixed grammar school - of which my mother was head girl - and there may even have been some romantic attachment (my father on one occasion wistfully alluded to the long grass behind the tennis courts, upon which my mother silenced him with A Look That Could Kill). Anyway, they then went their separate ways - my father to do a degree in electrical engineering and then get hoiked off to do national service in the merchant navy, my mother to drama school (Rose Bruford's) in London and then to teacher training in English and Drama in Birmingham. She was strikingly good-looking, I may as well point out at this stage: dark and petite, in a sort of vaguely Audrey Hepburn-ish way.
Years went by; at length my father returned from the sea, but according to his version of the tale still carrying a torch for my mother, but having long lost contact with her.
And then one evening his mother was reading a local paper bearing a review of an amateur production of something or other in which she played the female lead (as she usually did). "Do you remember that Janet ------?" she said, reading out my mother's maiden name (which, along with my bank account number and sort code, I have no intention of publishing on the Internet). He did, and hope rose within him at the apparent revelation that she was not yet married.
Being also eligible for membership of that dramatic society (old pupils of the aforementioned mixed grammar school), he contacted them to enquire whether they needed a lighting man, casually dropping the fact that he was now an electrical engineering graduate. Unsurprisingly, they said yes - setting him up neatly for a studiedly nonchalant reunion with him leaning suavely over the lighting gantry.
I have difficulty reconciling the romantic hero of the tale with the father I know, love and frequently take cover from during incidents of DIY. My mental picture of him always involves him dropping bags of spanners on her head or similar, but clearly that can't have been the case. Imagining one's own parents as carefree young lovers is always difficult.
But anyway, something clearly blossomed because he asked her out, then asked her to meet his parents (on which evening his father - also an electical engineer - received an emergency callout from a local coalmine and insisted my father accompany him down the pit, leaving my mother and paternal grandmother awkwardly alone).
All being well, we shall be joining them next year to celebrate their golden wedding anniversary.
Bear in mind that I have the fragmentary evidence of my parents and my grandmother for this version, since for obvious reasons I wasn't there other than as a twinkle in someone's eye.
My parents had known each other in some degree at their mixed grammar school - of which my mother was head girl - and there may even have been some romantic attachment (my father on one occasion wistfully alluded to the long grass behind the tennis courts, upon which my mother silenced him with A Look That Could Kill). Anyway, they then went their separate ways - my father to do a degree in electrical engineering and then get hoiked off to do national service in the merchant navy, my mother to drama school (Rose Bruford's) in London and then to teacher training in English and Drama in Birmingham. She was strikingly good-looking, I may as well point out at this stage: dark and petite, in a sort of vaguely Audrey Hepburn-ish way.
Years went by; at length my father returned from the sea, but according to his version of the tale still carrying a torch for my mother, but having long lost contact with her.
And then one evening his mother was reading a local paper bearing a review of an amateur production of something or other in which she played the female lead (as she usually did). "Do you remember that Janet ------?" she said, reading out my mother's maiden name (which, along with my bank account number and sort code, I have no intention of publishing on the Internet). He did, and hope rose within him at the apparent revelation that she was not yet married.
Being also eligible for membership of that dramatic society (old pupils of the aforementioned mixed grammar school), he contacted them to enquire whether they needed a lighting man, casually dropping the fact that he was now an electrical engineering graduate. Unsurprisingly, they said yes - setting him up neatly for a studiedly nonchalant reunion with him leaning suavely over the lighting gantry.
I have difficulty reconciling the romantic hero of the tale with the father I know, love and frequently take cover from during incidents of DIY. My mental picture of him always involves him dropping bags of spanners on her head or similar, but clearly that can't have been the case. Imagining one's own parents as carefree young lovers is always difficult.
But anyway, something clearly blossomed because he asked her out, then asked her to meet his parents (on which evening his father - also an electical engineer - received an emergency callout from a local coalmine and insisted my father accompany him down the pit, leaving my mother and paternal grandmother awkwardly alone).
All being well, we shall be joining them next year to celebrate their golden wedding anniversary.
Friday, 20 February 2009
Bangladesh - a marked improvement...
Having somewhat got over my frustration at being in a luxury hotel (oh happy frustration, some might well say), my Bangladeshi homies took me for a ride last night. It crossed my mind that after some of the less than generous things I had said about their fine country, they planned to batter me insensible with a coconut and leave me floating face-down in a jacuzzi; but in fact they wanted to show me some of the real Bangladesh. And a far nicer place it looks close-up than from behind a hotel compound wall.
It is quite uncannily reminiscent of the Indonesia of the 90s - incomes are rising, leading to more cars on the road without more roads necessarily being built; above street level there are mind-boggling tangles of wires carrying cable TV and broadband Internet access into the apartments of the rising middle classes, old houses are beng replaced at a rapid rate by new apartment blocks to squeeze more accomodation into the city. Occasional power brownouts are the result, above all, of so many people being able to afford fridges, AC units, TVs and computers. These are all signs of a country on its way somewhere; as is the laudable development of grameen banking - a Bangladeshi invention.
There are still some beggars about; many of them congregate around the hotels in the hope of tapping the sentimental guilt of suckers like me, of course - the equivalent of walking out of a posh London hotel to be accosted with the words "Big Issue?"; but also the streets are safer than you may imagine. I fussed about leaving my bag in the car when we arrived at a cafe and parked in the street. "Leave it there, it'll be quite safe" my colleague told me. So I did, and it was. That's not something I'd like to try in Reading. Complete strangers make eye contact, and smile, and greet you politely - again a marked improvement on Reading.
I am reminded, re-reading my last posting, of the 'Goodness Gracious Me' sketch in which Dave Lamb played a British reporter with a repertoire of cliches; standing with grim-faced concern talking about "the grinding poverty" and similar while happy Indians clustered around him, beaming broadly and saying "Mark Tully! Mark Tully!"
Furthermore, a story that has gathered much media comment is about an elderly woman abandoned by her successful, professional children to live on her own, which the papers are lamenting as an introduction of "Western values".
As the Bible should have said "Before removing a mote from another chap's eye, remove the plank from your own eye - then you'll have a plank handy to hit the blighter round the head with if he makes a fuss."
I would very much like to come back for longer, learn a modicum of emergency Bengali (perhaps from a colonial era language book, just for entertainment value. I could stride around in pith helmet and khaki shorts bellowing "Tell the men not to clean their rifles with sandpaper" or "Look here! I'm going to ask you six questions..." while Boyo stands by with dustpan, brush and valuers guide to Gypsy teeth). It would be nice to get out of Dhaka - to see Tagore's compound, or the world's longest unbroken beach at Cox's Bazaar. It would also be nice to stay somewhere more in touch with the country around it, to stop me being such a wuss about things.
It is quite uncannily reminiscent of the Indonesia of the 90s - incomes are rising, leading to more cars on the road without more roads necessarily being built; above street level there are mind-boggling tangles of wires carrying cable TV and broadband Internet access into the apartments of the rising middle classes, old houses are beng replaced at a rapid rate by new apartment blocks to squeeze more accomodation into the city. Occasional power brownouts are the result, above all, of so many people being able to afford fridges, AC units, TVs and computers. These are all signs of a country on its way somewhere; as is the laudable development of grameen banking - a Bangladeshi invention.
There are still some beggars about; many of them congregate around the hotels in the hope of tapping the sentimental guilt of suckers like me, of course - the equivalent of walking out of a posh London hotel to be accosted with the words "Big Issue?"; but also the streets are safer than you may imagine. I fussed about leaving my bag in the car when we arrived at a cafe and parked in the street. "Leave it there, it'll be quite safe" my colleague told me. So I did, and it was. That's not something I'd like to try in Reading. Complete strangers make eye contact, and smile, and greet you politely - again a marked improvement on Reading.
I am reminded, re-reading my last posting, of the 'Goodness Gracious Me' sketch in which Dave Lamb played a British reporter with a repertoire of cliches; standing with grim-faced concern talking about "the grinding poverty" and similar while happy Indians clustered around him, beaming broadly and saying "Mark Tully! Mark Tully!"
Furthermore, a story that has gathered much media comment is about an elderly woman abandoned by her successful, professional children to live on her own, which the papers are lamenting as an introduction of "Western values".
As the Bible should have said "Before removing a mote from another chap's eye, remove the plank from your own eye - then you'll have a plank handy to hit the blighter round the head with if he makes a fuss."
I would very much like to come back for longer, learn a modicum of emergency Bengali (perhaps from a colonial era language book, just for entertainment value. I could stride around in pith helmet and khaki shorts bellowing "Tell the men not to clean their rifles with sandpaper" or "Look here! I'm going to ask you six questions..." while Boyo stands by with dustpan, brush and valuers guide to Gypsy teeth). It would be nice to get out of Dhaka - to see Tagore's compound, or the world's longest unbroken beach at Cox's Bazaar. It would also be nice to stay somewhere more in touch with the country around it, to stop me being such a wuss about things.
Thursday, 19 February 2009
How self-centred am I?
I suffered a major pang of first-world, post-colonial guilt the other night, occasioned by a coconut palm and a jacuzzi. I will leave you speculating on the mechanics of that for a moment while I explain the background:
I wrote in my last post that I was in Bangladesh. This is only partially true: I cross a few hundred yards of Bangladesh twice a day, en route between a five-star hotel and an air-conditioned office. I can see Bangladesh through plate-glass windows. I can hear it teeming, bustling, wailing and honking outside. I can smell its polluted air, its lack of adequate sewage and habits of public urination and defecation as I scurry to and fro; but I am not in it, in any meaningful sense.
And how could I be? I can't speak or read the language, I don't know my way around, I have little idea of what I could be interested in if I cared. And like so many western business travellers, I too easily delude myself that this sterile, cocooned existence counts as experiencing a country.
But I know deep inside that have no excuse. For when I was young and energetic and had more time than money, I travelled properly. I spent years living in a developing country; I spoke its language fluently, socialised entirely with its people and studied its culture to a high degree. I subsisted exclusively on its food and suffered its endemic diseases in all their sweating, puking unpleasantness. I rode its crowded public transport and tramped its chaotic, dusty streets and got to know it intimately well. Ultimately, I married a local girl and made an attempt to settle down; until gun-toting, head-stamping, ethnic-minority-burning chaos reared its ugly head and we decided that moving to the UK would be a better idea in the long-run.
And through all this I self-indulgently allowed myself a fair measure of mixed pity and contempt for well-heeled foreigners who gave it a week or so, sticking grimly to the same coachload of their own kind, staying in luxury hotels, whizzing round sights of interest in a crocodile of clicking cameras and hideous shirts before returning to the luxury hotel for a swim. I really knew the place - I told myself conceitedly - while they did not.
I also vowed to myself that I would never become shallow enough to visit a country whose language I did not speak. And here I am, 20 years down the line, becoming what I despised; though in my half-hearted defence I am here to work and not to travel per se; and the work is going well.
The night before last, I returned from the office feeling somewhat rumpled and went for a swim in the hotel pool before dinner. From over the wall I could hear and smell Bangladesh, but inside the hotel compound all was carefully manicured luxury - coconut palms waved serenely over the surrounding gardens, stars shone in the blackness of a clear sky overhead, and a bat flittered manically over the pool scooping up as many whirring insects as it could manage.
I had the pool to myself; everyone else presumably having enough sense not to expose their pasty skin to the evening shift of mosquitoes. On a dais next to the pool stood an open-air jacuzzi, bubbling away invitingly; so I climbed out of the pool and started towards it, at which point a coconut detached itself from the tree and fell 5 metres or so onto the slabs, missing me by a worryingly small margin. (I used to think that the statistics showing that 'falling coconuts' are the major cause of untimely death on some Pacific Islands were funny - right up until the day that I was nearly hit by one. Those things are lethal, since they fall from such a great height - and the coconut per se is only the stone inside a much larger fruit with an aerodynamically sharp bottom edge...)
Should I complain? Should I point out the potential danger? "Good Lord man - never mind the millions of your compatriots living in grinding poverty and the daily body count caused by unsafe transport (that day a truckload of people rammed on an open level crossing; the next a river ferry capsizing with over 100 on board), have heed of that dangerous coconut palm next to the jacuzzi! Get your priorities straight!"
I said nothing, and was unable to sleep that night.
I wrote in my last post that I was in Bangladesh. This is only partially true: I cross a few hundred yards of Bangladesh twice a day, en route between a five-star hotel and an air-conditioned office. I can see Bangladesh through plate-glass windows. I can hear it teeming, bustling, wailing and honking outside. I can smell its polluted air, its lack of adequate sewage and habits of public urination and defecation as I scurry to and fro; but I am not in it, in any meaningful sense.
And how could I be? I can't speak or read the language, I don't know my way around, I have little idea of what I could be interested in if I cared. And like so many western business travellers, I too easily delude myself that this sterile, cocooned existence counts as experiencing a country.
But I know deep inside that have no excuse. For when I was young and energetic and had more time than money, I travelled properly. I spent years living in a developing country; I spoke its language fluently, socialised entirely with its people and studied its culture to a high degree. I subsisted exclusively on its food and suffered its endemic diseases in all their sweating, puking unpleasantness. I rode its crowded public transport and tramped its chaotic, dusty streets and got to know it intimately well. Ultimately, I married a local girl and made an attempt to settle down; until gun-toting, head-stamping, ethnic-minority-burning chaos reared its ugly head and we decided that moving to the UK would be a better idea in the long-run.
And through all this I self-indulgently allowed myself a fair measure of mixed pity and contempt for well-heeled foreigners who gave it a week or so, sticking grimly to the same coachload of their own kind, staying in luxury hotels, whizzing round sights of interest in a crocodile of clicking cameras and hideous shirts before returning to the luxury hotel for a swim. I really knew the place - I told myself conceitedly - while they did not.
I also vowed to myself that I would never become shallow enough to visit a country whose language I did not speak. And here I am, 20 years down the line, becoming what I despised; though in my half-hearted defence I am here to work and not to travel per se; and the work is going well.
The night before last, I returned from the office feeling somewhat rumpled and went for a swim in the hotel pool before dinner. From over the wall I could hear and smell Bangladesh, but inside the hotel compound all was carefully manicured luxury - coconut palms waved serenely over the surrounding gardens, stars shone in the blackness of a clear sky overhead, and a bat flittered manically over the pool scooping up as many whirring insects as it could manage.
I had the pool to myself; everyone else presumably having enough sense not to expose their pasty skin to the evening shift of mosquitoes. On a dais next to the pool stood an open-air jacuzzi, bubbling away invitingly; so I climbed out of the pool and started towards it, at which point a coconut detached itself from the tree and fell 5 metres or so onto the slabs, missing me by a worryingly small margin. (I used to think that the statistics showing that 'falling coconuts' are the major cause of untimely death on some Pacific Islands were funny - right up until the day that I was nearly hit by one. Those things are lethal, since they fall from such a great height - and the coconut per se is only the stone inside a much larger fruit with an aerodynamically sharp bottom edge...)
Should I complain? Should I point out the potential danger? "Good Lord man - never mind the millions of your compatriots living in grinding poverty and the daily body count caused by unsafe transport (that day a truckload of people rammed on an open level crossing; the next a river ferry capsizing with over 100 on board), have heed of that dangerous coconut palm next to the jacuzzi! Get your priorities straight!"
I said nothing, and was unable to sleep that night.
Tuesday, 17 February 2009
"All Bengalis are poets"
Some of my more literary acquaintances have recently mused about the reasons we all write. It strikes me that in one sense the task of the writer is to chase down the thoughts that flitter, moth-like, among the thickets of the subconscious and collect them for display to the world. We are the unacknowledged entomologists of the imagination.
"Ooh! Get you!" my less literary acquaintances are probably saying to themselves by now. In my defence, I shall quote the title of this posting - said drunkenly and tearfully by someone at an office leaving party I once attended in India - and point out that this week I find myself in highly literary Bangladesh, among the highly-literary Bengalis who produced Rabindranath Tagore to name but one. (OK, so Tagore was from West Bengal, now in India; but that hasn't stopped Bangladesh adopting one of his poems as a national anthem).
Permit me to direct you to the highly literary blog of my Dhaka-based friend and colleague, the highly-literary Mr Amaro'to Kotha-chhilo by way of evidence.
Among the less poetic elements of the country, I should point out by way of balance, are the airport baggage carousel and the free-form scrum that formed around it (an hour and a fricking half to retrieve one bag! I ask you...); and the fact that the office is only a short walk from the hotel, but across eight lanes of homicidal traffic. Having lived in Indonesia, I feel quite at home. I have readopted my erstwhile tactic of adding myself to a large group of locals to get across, reasoning that while a driver may be tempted by the target of a lone westerner, they're less likely to mow down a dozen of their own. Although tragically, pedestrians in many parts of Asia seem to be regarded as an expendable commodity.
Yesterday's main English-language paper carried a surprisingly colonel-esque headline: "GUNBATTLE AT JU [Jahangirnagar University] AGAIN". It was the 'again' that caught my attention - as if one isolated inter-student gunbattle would barely be worth reporting. The article also contained the inescapably arresting detail that 50 had been injured in the shoot-out, "five of them with bullets". This says volumes about either a shortage of ammunition or a serious perception gap about what guns are actually for. (I think the university should introduce a short course taught by a retired colonel: "Firearms 101 - How to load the bally thing with bullets, point it at yer intended target and pull the trigger, you long-haired nicompoops!" or some such.)
The calls to prayer from the city's many mosques are, as always, hauntingly beautiful. When I lived in Indonesia the sound of 15 or 20 mosques within earshot all going off at once, as it were, was a constant delight; forming a kind of accidental found choral music of Messiaenic beauty. Here, the effect is marred not a little by the incessant honking of horns and whooping of 'VVIP' motorcade sirens. Not that anyone moves aside for them, of course. On the way into town from the airport, I saw the faintly pathetic sight of policemen in an escorting truck waving batons listlessly at the oblivious traffic, with the forlorn expressions of men who know full well that they're just going through the motions.
Tagore himself said of Indonesia when he visited it in the early 20th century "I see India everywhere but I do not recognise it." At the time, of course, Bangladesh was part of the India he meant. Looking at Bangladesh, I understand him perfectly.
"Ooh! Get you!" my less literary acquaintances are probably saying to themselves by now. In my defence, I shall quote the title of this posting - said drunkenly and tearfully by someone at an office leaving party I once attended in India - and point out that this week I find myself in highly literary Bangladesh, among the highly-literary Bengalis who produced Rabindranath Tagore to name but one. (OK, so Tagore was from West Bengal, now in India; but that hasn't stopped Bangladesh adopting one of his poems as a national anthem).
Permit me to direct you to the highly literary blog of my Dhaka-based friend and colleague, the highly-literary Mr Amaro'to Kotha-chhilo by way of evidence.
Among the less poetic elements of the country, I should point out by way of balance, are the airport baggage carousel and the free-form scrum that formed around it (an hour and a fricking half to retrieve one bag! I ask you...); and the fact that the office is only a short walk from the hotel, but across eight lanes of homicidal traffic. Having lived in Indonesia, I feel quite at home. I have readopted my erstwhile tactic of adding myself to a large group of locals to get across, reasoning that while a driver may be tempted by the target of a lone westerner, they're less likely to mow down a dozen of their own. Although tragically, pedestrians in many parts of Asia seem to be regarded as an expendable commodity.
Yesterday's main English-language paper carried a surprisingly colonel-esque headline: "GUNBATTLE AT JU [Jahangirnagar University] AGAIN". It was the 'again' that caught my attention - as if one isolated inter-student gunbattle would barely be worth reporting. The article also contained the inescapably arresting detail that 50 had been injured in the shoot-out, "five of them with bullets". This says volumes about either a shortage of ammunition or a serious perception gap about what guns are actually for. (I think the university should introduce a short course taught by a retired colonel: "Firearms 101 - How to load the bally thing with bullets, point it at yer intended target and pull the trigger, you long-haired nicompoops!" or some such.)
The calls to prayer from the city's many mosques are, as always, hauntingly beautiful. When I lived in Indonesia the sound of 15 or 20 mosques within earshot all going off at once, as it were, was a constant delight; forming a kind of accidental found choral music of Messiaenic beauty. Here, the effect is marred not a little by the incessant honking of horns and whooping of 'VVIP' motorcade sirens. Not that anyone moves aside for them, of course. On the way into town from the airport, I saw the faintly pathetic sight of policemen in an escorting truck waving batons listlessly at the oblivious traffic, with the forlorn expressions of men who know full well that they're just going through the motions.
Tagore himself said of Indonesia when he visited it in the early 20th century "I see India everywhere but I do not recognise it." At the time, of course, Bangladesh was part of the India he meant. Looking at Bangladesh, I understand him perfectly.
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